Anfang der 70er-Jahre leitet Sam Rothstein (Robert De Niro) für die Mafia eines der lukrativsten Casinos von Las Vegas. Der Erfolg macht ihn scheinbar. Casino. ()IMDb 8,22 Std. 51 Min Sam "Ace" Rothstein sorgt dafür, daß in den Casinos von Las Vegas alles gut läuft. Das heißt: die Politiker. Casino „Casino“ // Deutschland-Start: eines Mafia-Syndikats, zum Leiter des Tangiers, eines Casinos in Las Vegas gemacht. <
Die Filmstarts-Kritik zu CasinoCasino ist ein Kriminalfilm-Drama aus dem Jahr des Regisseurs Martin Scorsese, der das Drehbuch zusammen mit Nicholas Pileggi schrieb. Dessen. Martin Scorseses Mafiadrama Casino zeigt die Mafia im schillernden Las Vegas der frühen Siebziger, welches hinter dem Vorhang der guten Laune von Geld. In der glanzvollsten Ära von Las Vegas steigt der Profizocker Sam `Ace' Rothstein an die Spitze des Milliarden-Dollar-Imperiums auf. Um das Investment weiter auszubauen, stellen ihm die Drahtzieher seinen besten Freund aus alten Zeiten, den.
Casino (Film) Impostazioni dei sottotitoli VideoCasino Jack - Kevin Spacey - Crime Movie - English - HD - Free Movie
Las Vegas Review-Journal. Retrieved August 18, Archived from the original on October 28, Retrieved October 28, Retrieved October 19, November 23, Retrieved November 2, August 24, Archived from the original on August 24, Chicago Tribune.
Archived from the original on May 9, Retrieved August 21, Rotten Tomatoes. Archived from the original on December 27, Retrieved March 27, Archived from the original on January 23, Retrieved July 10, Retrieved November 25, De l'autre, Nicky Santoro Joe Pesci un dangereux italien qui ne sait obtenir celui-ci que en Secret de tournage.
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Casino is the story of the relationship and political problems that this cast of characters and a number of associates run into.
It's roughly a gradual road to destruction for everyone involved. The film is unusual in many ways. The most prominent oddity is that a large chunk of it is told via alternated narration from the two main characters, Rothstein and Santoro.
The aim was probably to include a lot more of Pileggi's book, in a more literal way, than would have been possible through more conventional means.
It's remarkable that the narration works as well as it does, especially because a lot of it is given a rapid-fire delivery. For at least the first 15 minutes, there is barely a pause in the narrational dialogue.
One of the reasons it works is because of the style that Scorsese uses to accompany it in the opening.
He employs a lot of fast cuts while presenting very stylized, documentary-like footage. The opening feels as much like an entertaining behind-the-scenes look at how the typical casino works as it feels like a fictional film about gangsters.
This happens so subtly that one hardly notices. Scorsese's directorial style likewise evolves from the fast-cut documentary approach to something more conventional.
This is all well and good, but on the other hand, the gradual evolution can only happen because the film is so long--it clocks in just a couple minutes shy of 3 hours.
That's a bit too long for the story being told. By at least the halfway point, it starts to feel a bit draggy. All the material is necessary to the story, but it could have been tightened up a lot more.
While I like the songs--I've owned the CD since it came out and I listen to it often enough--and the songs can help set the mood for some scenes, they become a bit too incessant and overbearing for the story after awhile.
It begins to approach the dreaded "mix tape" mentality, where the songs are just there because the director wanted to share some bitchin' tunes that he likes a lot.
A bit of ebb and flow with the music, and music better correlated to the drama, would have worked even better. Presumably, Scorsese was shooting for something like a sensory assault, since that's what you get in Vegas.
The visuals are filled with neon lights, flashy clothes I love Rothstein's suits , flashy people and such. URL consultato il 12 gennaio Altri progetti Wikiquote.
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